Watching Kishi Bashi live is usually an underwhelming experience because his performances never seem to recapture the beauty of the recordings. So when I went to the Great Hall Music Theatre on February 11th to see his show, I was prepared for it to be a letdown. The ticket said “with special guests” on the bottom, leaving me curious as to what that actually meant in context. I found myself hesitantly walking into a lavishly decorated hall, with red carpet and high ceilings. The room was surprisingly empty, only filling to its capacity with hipsters holding Pabst Blue Ribbon cans within the last minutes before show time. Continue reading
Fermata over Whole Rest 