Fermata over Whole Rest

This review will likely be a combination of (me) romanticizing with a band you’ve (I’ve) stuck with since the beginning (and then some) and the evolution of what may soon be a heavily celebrated pop duo. So if you feel hearing something about a band that’s pretty neat, bear with me. Continue reading →

Every once and a while I’ll discover an artist that deals their music only with the utmost originality. This theoretical artist can create a certain mood instantaneously–they make it look easy too–and I must say, Colin Stetson fits this bill pretty damn well. Continue reading →

“Yonkers”, I feel, is an angry, messed up journal entry from a guy that feels kind of uncomfortable with himself and the rest of the world. I shouldn’t really speak for everyone, but this makes Tyler, The Creator one of the most relatable artists of the year.  Continue reading →

I really enjoy a good dance album (eh-hem, “Discovery”) with peppy dance songs (AGGH, “DISCOVERY”) and something that’s just out of left field (…sigh…”Cosmogramma” or “No Más”) Did I mention I like to dance? Well, after hearing “Zonoscope” by Cut Copy, I had to stop for a second and think: “why am I not dancing?” Continue reading →

[Editor’s note: since we’re a network now, we’re going to be playing around with doing a variety of audio content. Consider this the most late night show of FOWR.NET.]

Fucking whateeeeeeeeeeeeeever.

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Hey, guys, remember Best Coast? Yeah, Best Coast. You remember how I totally did not like Crazy For You? Well, if you don’t, hey, I didn’t enjoy it. Tennis, however, is another story. Let me make this perfectly clear: I was scared as hell for Cape Dory. I had heard both “Marathon” and the album’s self-titled track “Cape Dory” and they sounded a bit similar as well as being striking in the vibe of Best Coast. With this mix, color me frightened for a potential disappointment. Good thing that wasn’t so. Continue reading →